Radio Animal was a component of the project Uncertainty In The City – a speculative, artists’ exploration into the relationship between humans and the animals that nudge at and breach the borders of our homes.
The content from Radio Animal was instrumental in feeding the Uncertainty… project as whole. During 2009 and 2010 took our modified webcasting van out to field events, and to individuals and communities in the Lancaster and Morecambe area to get the opinions of those with stories to tell regarding encounters between humans and other species
The project Uncertainty in the City concluded in November 2010 with the closing of the exhibition (opened September 18th) at the Storey Gallery in Lancaster, UK. The installation can still be viewed by going to the EXHIBITION page and clicking on the 360º radio animal link
for more on their projects see: https://www.snaebjornsdottirwilson.com
back to the garden: http://www.radioanimal.org
thanks to Daniel Matthews and Phil Maddock and Graham Barke from the House group and Max Robertson at UoC for website development.
Snæbjörnsdóttir/Wilson: Radio Animal Unit
Radio Animal was a component of the project Uncertainty In The City – a speculative, artists’ exploration into the relationship between humans and the animals that nudge at and breach the borders of our homes
The content from Radio Animal was instrumental in feeding the Uncertainty… project as whole. During 2009 and 2010 we took our modified webcasting van out to field events, and to individuals and communities in the Lancaster and Morecambe area to get the opinions of those with stories to tell regarding encounters between humans and other species. The mechanism of the mobile unit itself was extremely successful. People entered the caravan, sat down and were put at their ease, very often remarking how comfortable it was. This sense of comfort and intimacy was constructively disarming and such a commitment would always yield at least one if not several stories.
By these two means – our excursions with Pest Control operatives and the Radio Animal interviews we fielded and recorded hundreds of accounts of animal/human encounters, and by so doing, a picture began to emerge of local human behaviour towards animals and the environment—of tolerance and intolerance, of fear and loathing, affection, conflict, pathos, admiration, longing and so on.
A Lamb Baste 13th November 200 7.30pm was a Radio Animal event by Snæbjörnsdóttir/Wilson.
Grizedale Arts hosted the meal at which a number of invited people, including artists, curators and arts facilitators, animal studies scholars, and local interested parties discussed the issue of ‘animal’, other-animal proximity and our mutual bordering.
In advance of the event we published the following:–
“We want to approach issues of identity in relation to animals. Why are we culturally so ambivalent in respect of who we are and how we should behave in the presence of either the term ‘animal’ or indeed animals themselves. As human animals, culturally we tend to value those animals that are not ourselves or very, very like us, chiefly in relation to their effectiveness in fulfilling some human function or need, or conversely the threat we believe they might hold to challenge our will or comfort.
Awareness of self, a faculty we (human-animals) believe separates us from other species, has unexpectedly brought us a troubled relationship with non-human animals. Because of this it could be argued, that a necessary psychological distance has been established between us and those species over which we exercise the most control.
Because so much of what we are in adulthood is inherited, our subscription to this legacy, leads us to believe without question in the apparent cultural order of things. Such belief generally, is accepting of our dominion over others and an elevated evolutionary position in relation to other species and thus fails in turn to recognize an intrinsic interdependence between species. An acknowledgement of this, might well have helped us avoid many of the more difficult consequences we face today in respect of the environment and therefore paradoxically our own as well as everyone else’s survival.
The bottom line for such considerations is one concerning habitat – all species adapt well or less well, for better or for worse to different habitats and when those specialist habitats fail, an ability to move or to adapt quickly enough to survive, is tested. Uncertainty In The City (Snæbjörnsdóttir/Wilson’s project commissioned by Storey Gallery, Lancaster, UK) is a speculative, artists’ exploration into the relationship between humans and the animals that nudge at and breach the borders of our homes. At the heart of this enquiry is the membrane that is breached, whether this is a material ’skin’ of bricks and mortar, fences and land, or a linguistic contrivance.
Radio Animal has been on the road since early summer 2009, asking questions of people regarding their proximity with other species, and discussing their experiences with others in the home, hidden in the fabric of their home, in the garden and otherwise as they go about their daily business.
At a time when environmental peril is discussed as a global issue and overheard in some form by us on a daily basis, leaving us often with a sense of impotence in the face of the inevitable, artists Bryndís Snæbjörnsdóttir and Mark Wilson are examining what ‘environment’ might mean in a more intimate and domestic sense – where consideration of this term might trigger a more meaningful and evocative recognition for individuals and where the sharing of space between species and its consequences might resonate more powerfully, allowing some chance of new understanding (and even, new behaviour).”
Illustrator Meg Falconer, farmer John Atkinson, Guest Room artist Maria Benjamin, poet Jack Maynard, writer and critic Rikke Hansen, tech fiend Dorian Moore, Grizedale Arts Director Adam Sutherland, artist Karen Guthrie, Alistair Hudson and Radio Animal artists Bryndís Snæbjörnsdóttir and Mark Wilson.